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SR in Archaeometry Workshop/ Authors...../ARCHAEOMETRY OF ROCK ART P   Lista de mensajes  
Responder | Reenviar Mensaje #162 de 270 |

Author(s) TITLE
INVITED PRESENTATIONS
Ian Munro
What good is SR for: from sausages to Van Goghs
M. Cotte1, J. Chillida, Y. Taniguchi, E. Checroun, J. Susini Application of Synchrotron-based x-ray and infrared spectroscopy to the chemical analysis of painting micro-fragments
Trinitat Pradell Islamic luster: from Alchemy to Nanoscience
I. Mantouvalou, T. Wolff W. Malzer, M. Pagels, L. Lühl , K. Lange, R. Schütz, C. Seim, and B. Kanngießer 3D Micro-XRF in art and archaeology – new quantification strategies
Pablo Arias  
REGULAR PRESENTATIONS
Tahereh Azizipoor, Parstoo Masjedi, Farhang Khademi Naooshan Factors of Differences in chemical composition of Teeth by WLXRF & PIXE instrument
J. Barrio, J. Chamón, C. Gutierrez, A. Climent-Font Study of medieval enamelling on gilded objects combining PIXE and SEM-EDAX
S. Bugani, S. Cagno,P. Cloetens, G. Giachi4, K. Janssens, J. J. Lucejko, F. Modugno, L. Morselli Evaluation of consolidation treatments on waterlogged archaeological wood by means of synchrotron light X-ray microtomography
Céline Chadefaux, Katharina Müller, Aurélien Gourrier, Oskar Paris and Ina Reiche Synchrotron SAXS/WAXS investigation of archaeological bone and antler from the Neolithic lake site of Chalain (France)
Philippe Colomban, Ludovic Bellot-Gurlet, Aurélie Tournié Raman structural characterisation of ancient glasses: from lab and on-site measurements to SR beam line experiments?
Bogdan Constantinescu, Angela Vasilescu, Martin Radtke, Uwe Reinholz Micro-sr-xrf studies for archaeological gold identification – the case of Carpathian (Transylvanian) gold and of dacian bracelets
P. Dararutana, S. Pongkrapan, K. Won-in, P. Wathanakul, N. Sirikulrat Synchrotron radiation investigation of ancient Thai glass samples
C. Dejoie, E. Dooryhée, P. Martinetto, S. Blanc, P. Bordat, R. Brown, F. Porcher, P. Richardin, E. Van Elslande, Ph. Walter, M. Sanchez del Rio Synthesis and characterization of Maya Blue analogous hybrid pigments
A. Duran, J. Castaing, P. Walter Studies of Pompeian wall paintings using synchrotron high resolution x-ray powder diffraction and laboratory systems
A. Gianoncelli, B. Kaulich, A. Longoni, T. Klatka, R. Alberti, M. Kiskinova Imaging and chemical investigation of cultural heritage objects with the European TwinMic X-ray microscopy station at Elettra.
J. Glab Dehydration: a mechanism for the preservation of fine detail in fossilized soft tissue of ancient terrestrial animals; an X-ray diffraction study
L G Gonzalez, T. J. Wess, The interaction of Isopropyl alcohol with Parchment
L.K Herrera, A. Duran, M.C. Jimenez de Haro, M.L Franquelo, A. Justo, J.L Perez Rodríguez Identification of cellulose fibres belonging to Spanish cultural heritage using synchrotron high resolution x-ray diffraction
L.K Herrera, S. Montalbani, G. Chiavari, M. Cotte, A, Duran, A. Justo, J.L Perez-Rodriguez Characterization of azurite and malachite pigments by combined application of X-ray diffraction/X-ray fluorescence in the cross sections from Spanish baroque paintings
L.K Herrera, A. Justo, J. A. Sans, G. Martínez-Criado, Adela Muñoz-Paez Chemical composition of the metal pipe of a Spanish baroque organ as determined by µXRF
K. Janssens, J. Dik, G. Van der Snickt, L. Van der Loeff, K. Rickers and M. Cotte Discovery of a Hidden Van Gogh Painting by means of High-Energy XRF mapping and other methods
L. Leon, Ph. Sciau, Ph. Goudeaub, A. Mehtac, S. Webbc, N. Tamurad Combined XRF and XRD sample surface mapping studies: the nature of marbled Terra Sigillata Slips from La Graufesenque (France).
S.Leroy, P.Dillmann, B.Gratuze A diffusion study of mediaeval ferrous products using trace elements microanalyses: the case of Italian armours
A.Lluveras, J.Roque, S.Boularand, M.Vendrell Degradation of blue pigments in frescoes paintings : formation and distribution of copper carbonate, chlorides and oxalates from azurite.
P. Manti, D. Watkinson, W. Kockelmann, E. Pantos Characterization of tinning on ancient bronzes using neutron diffraction and SR-XRD.
Panagiota Manti, Paul Nicholson, Andy Smith, Mark Ellis, Fred Mosselmans, Trinitat Pradell and Manolis Pantos The craft and science of Egyptian faience: the case of the step pyramid tiles.
J. Monnier, S. Reguer, D. Vantelon, P. Dillmann, F.Mirambet, D. Neff, I. Guillot X-rays absorption study on medieval corrosion layers for the understanding of very long term indoor atmospheric iron corrosion
Manolis Pantos, Karen Exell, Winfried Kocklemann, Zsolt Kasztovszky, Mark Ellis, Martin Morlidge and Bob Bilsborrow Mineralogical characterisation of limestone from the Great Pyramids and limestone quarries along the Nile.
Pradell, T., Molera, J.& Labrador, A. Synchrotron Radiation micro XRD in the study of glaze technology
S.Reguer, S.Hollner, F.Mirambet, E.Rocca, D.Testemale X-ray absorption spectroscopy studies on new environmentally-friendly inhibitors used as rust converters for the preservation of metallic artefacts.
M. Rodrigues, M. Schreiner, M. Mäder, M. Melcher, M. Guerra, J. Salomon, M. Radtke, M. Alram, N. Schindel The Hoard of Beçin - non-destructive analysis of the silver coins
M. Rodrigues, F. Cappo, M. Schreiner, P. Ferloni, M. Radtke, U. Reinholz, B. Woytek, M. Alram Scientific investigations on Roman silver coins of the emperor Trajan (AD 98–117)
Josep Roque-Rosell, Judit Molera, Fred Mosselmans, Andy Smith, Joaquim Portillo, Joan Mendoza, Marius Vendrell-Saz. Synchrotron techniques and ethnographic analogy to unveil large scale lustre ceramic production in the Aragon Crown from 13th to 16th AD centuries.
Nati Salvadó, Salvador Butí, James Nicholson, Hermann Emerich, Ana Labrador, Trinitat Pradell Application of Synchrotron Radiation micro XRD and FTIR in the study of early oil 15th century altar-pieces from the Crown of Aragon
K. Thomas, T. J. Wess, The effect of relative humidity on the structural integrity of collagen present in parchment
Judith Trujillo, Luiz Oosterbeek, Guillermo Muñoz Archaeometry of rock art paintings: La Piedra de la cuadricula (Suacha, Cundinamarca, Colombia).
Youzbashi A. A., Ahmadi K., Bahrevar M. A., Sodagar L. Elemental and mineral composition of the corrosion products of a metal artifact from Luristan bronzes collection (Part 1)
Ahmadi K, Youzbashi A. A., Sodagar L., Jamali nik B. Elemental and Mineral Composition of the Corrosion products of a metal artifact from Luristan bronzes collection (Part 2)
 M. Zurakowska, M.Ellis, E. Pantos, and J. J.Hughes Characterisation of soiling and iron oxide patination of calcareous arenitic sandstones from Glasgow, by µ-XRD, SEM and optical petrography
   
   
  POSTERS
 L. Bertrand, S. Cohen, M.-A. Languille  Development of an instrumental platform for cultural heritage in the context of the SOLEIL synchrotron source
 Emmanuelle Bidaud and Emmanuel Pantos  A re-discovered pigment from the middle age: Clinoatacamite
 R. Bugoi, E. Bidaud, D. Benedetti, B. Comendador, P. Manti, W. Kockelman, A. D. Smith, M. A. MacDonald, A. M. T. Bell, P. Rizkallah, R. L. Jones, L. Bertrand and E. Pantos  The Daresbury Laboratory Master Class on Cultural Heritage Science: an update
Céline Chadefaux, Katharina Müller, Andreas Staude, Jörg Nötel, Heinrich Riesemeier and I. Reiche X-ray synchrotron microtomography study of archaeological bone samples
Chalmin, E., Martinetto P., Menu, M., Baffier, D. and Reiche, I. Calcite formation of rock art in the Large cave of Arcy-sur-Cure (Yonne): Evaluation of interaction between calcite and pigment
M.O. Figueiredo , T.P. Silva , J.P. Veiga The blue of iron in mineral pigments: a Fe K-edge XANES study of vivianite
M. Gil, R.Green, A. Candeias ,M. L. Carvalho, A. Seruya, I.Ignasi, J. Mirão Alentejo colour heritage: commercial natural pigments and historical façades paint layers. Identification by LA-ICP-MS
Stéphane Hœrlé, Loïc Bertrand Synchrotron micro-analyses of paint samples for the conservation of Nomansland rock art: Preliminary studies
M. Manso, I. Queralt, K. Bittencourt and M.L.Carvalho Identification of Japanese pigments by EDXRF and XRD
J. Mirão, S. Valadas, T. Ferreira, C.T. Costa, A. Guilherme, S.Pessanha, M.L. Carvalho, J. Caetano, A. Candeias In-situ XRF, optical microscopy and SEM-EDS study of the polychromy of 17th century painters Josefa d'Obidos and Baltazar Gomes Figueira
Manolis Pantos and Mark Ellis Ageing under X-treme conditions
S. Pessanha, A. Guilherme, K. Bittencourt, L. Patrício, J. L. Bruneel, M.L. Carvalho Non-destructive pigment analysis of ancient hand painted wallpaper
S. Pessanha, A. Guilherme, M. L. Carvalho Bremsstrahlung reduction on EDXRF spectrometer by polarized-beam: performance for different matrix samples
A. Pitarch and I. Queralt Compositional Characterization Of Ancient Metals By Edxrf: The Case Of Greek Silver Drachmae From Empúries Site (Empúries, Catalonia)
Josep Roque-Rosell, Marcos Martinon-Torres, Stephen P. Thompson, Julia Parker, Chiu Tang and Fred Mosselmans. High Resolution Powder diffraction Beamline I11 at Diamond Light Source helps to elucidate the secrets of Roman Medicine from the 1st century AD.
 Josep Roque-Rosell, Lucia Alianelli, Manuel Sanchez del Rio, Carmelo Prestipino, Winfried A. Kockelmann, P. Romano and Fred Mosselmans  Secrets of ancient Roman and Greek Coins revealed at ESRF synchrotron and ISIS neutron facilities


ARCHAEOMETRY OF ROCK ART PAINTINGS: LA PIEDRA DE LA
CUADRICULA (SUACHA, CUNDINAMARCA, COLOMBIA).
Judith Trujillo, Luiz Oosterbeek, Guillermo Muñoz
Gipri, Colombia
Grupo de Quaternário e Pré-História, Portugal
The aim of this paper is to present the studies of the conditions of pictorial
elements in a rock art mural, to show the materials that were used and their
interactions with the open air. This academic exercise introduces new aspects in
the research process concerning the materials present in these rock art works
and leads up to the works about technology of pigments in the studied area,
extending the descriptive possibilities of the conservation conditions of rock art.
The study of the materials opens a route towards the conservation work, and
constitutes an essential way for the projected studies on dating. In this work,
pigments were analyzed, some accretions, the rock substrate and the possible
raw material of the rock art paintings. This analysis was done using Spectrometry
Infrared.
This investigation process is set in the context that the research group GIPRI has
developed, as an extension of the methodological model of record and
documentation of rock art in Colombia, especially in the cundiboyacense
highplateau. The rock chosen was “La Piedra de la Cuadrícula“, located in a set
of 167 rocks in Tequendama’s area, Soacha’s Municipality, in Cundinamarca’s
department. This sector is one of the most important archaeological sites of the
country. In this site cultural stratigraphic sequences between 12 500 B.P. and
2500 B.P. have been found. On the other hand, there have been developed very
important studies of the Pleistocenic and Holocenic environment.



Esta es la firma de los correos que envia el director del Grupo GIPRI
Guillermo Muñoz
www.gipri.org


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Author(s) TITLE INVITED PRESENTATIONS Ian Munro What good is SR for: from sausages to Van Goghs M. Cotte1, J. Chillida, Y. Taniguchi, E. Checroun, J. Susini ...
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