En una hermosa casa hogareña, cálida y acogedora, un auténtico oasis-paraíso en medio de un típico barrio porteño de casas bajas, tradicional y milonguero.

Con la posibilidad verde y arbolada, a pocas cuadras, del Parque General Paz, el Parque Sarmiento y la Agronomía.

1 dormitorio grande en suite ($800 – alquiler permanente)

1 dormitorio pequeño ($400 – alquiler temporario por dos mes)

Salón con piso parquet con baño.

Cocina completa con terraza y vista al jardín.

Jardín con piscina, parrilla, fogón, deck, hamacas. (compartido)

La casa esta ubicada frente a Av. de los Constituyentes (bien iluminada y transitada), en planta alta con entrada independiente.

El jardín es compartido con el espacio cultural multidimensional que funciona en la planta baja, donde se desarrollan actividades, talleres y clases de contact improvisación, danza, teatro, música, masaje y demás.

El barrio cuenta con una excelente red de transporte público:

- líneas de colectivos: 21 / 28 / 71 / 107 / 110 / 111 / 112 / 114 / 117 / 127 / 140 / 168 (R90) / 169 / 175 / 176

- Tren Mitre (ramal J.L.Suarez-Retiro) estación Villa Pueyrredón

- A 10' en bondi del Subte B estación Los Incas

- A 15' en bondi del Subte D estación Congreso de Tucumán

Para más información escribir a:

casablanca.socialclub@...

casablanca.socialclub@...

ó llamar al 4574-8209

www.casablancasc.com.ar

LOCALIZACION: Av. de los Constituyentes 5573 (y Av. Congreso) VILLA URQUIZA

In a beautiful sweet, warm and friendly house. An authentic oasis-paradise in the middle of a typical Buenos Aires neighbourhood of low buildings, traditional and "milonguero".

Within the green and forested chance of General Paz, Sarmiento and Agronomia parks just in the area.

Bedroom in suite ($ar 800 - permanent renting)

Small bedroom ($ar 400 – two months temporary renting)

Living room with wooden flor and toilet

Full kitchen with terrace and garden views.

Garden with pool, barbecue, fire place, deck and hammocks (shared)

The house is at an avenue, well iluminated, on the first floor with its own independent entrance.

The garden is shared with a cultural multidimensional space situated on the ground floor, where workshops and classes of Contact Improvisation, dance, theater, massage, etc. takes place.

The neighbourhood has excellent public transport conections:

- Buses: 21 / 28 / 71 / 107 / 110 / 111 / 112 / 114 / 117 / 127 / 140 / 168 (R90) / 169 / 175 / 176

- Train Mitre (Branch J.L.Suarez-Retiro) station "Villa Pueyrredon"

- 10 minutes from Subte B (Metro) station "Los Incas"

- 15 minutes from Subte D (Metro) station "Congreso de Tucuman"

For more information write to:

casablanca.socialclub@...

casablanca.socialclub@...

or call 4574-8209

www.casablancasc.com.ar

K.J. HOLMES  Workshop: Contact Impro Performance BMC

Workshop: 30.6.– 4.7.09, daily 11:00–16:00Showing / Performance:
Friday, 3.7. + Saturday 4.7.: 19:00

K.J. Holmes is an independent dance artist, singer and actor who has
been exploring improvisation as process and performance since 1981.
She teaches, choreographs and performs at festivals and universities
throughout the world, as a soloist and in collaborations with artists
such as Simone Forti, Image Lab (Lisa Nelson, Karen Nelson, Scott
Smith) and in the work of Steve Paxton. Her influences include Contact
Improvisation, BMC, Yoga (certified teacher 2007), Authentic movement,
Ideokinesis, Alexander and Feldenkrais techniques, Martial Dance,
world vocal studies and contemporary dance and theater. A 1999
graduate of the School for BMC, K.J. is adjunct faculty at New York
University Experimental Theater Wing, is an ongoing teacher Movement
Research NYC and has a private practice in Dynamic Alignment and Re-
integration in Brooklyn, N.Y. where she lives. She just completed a
two year acting training in the Sanford Meisner acting technique at
the William Esper Studio in New York City and is developing an evening
length piece entitled.

Morning Class „The Athletics of Intimacy“ will combine skills and
applications of Body-Mind Centering (BMC), with skills and practices
of Contact Improvisation to fine tune and engage the imagination of
the dancer in solo, duet and ensemble play. The class will explore
musicality and phrasing, the learning of specific lifts and rolls as
well as how we craft time and space becoming more tuned to center and
subtleties of touch, direction and intention. Skills will include
release techniques and experiential anatomy to better understand the
mechanics of the body, and developmental patternings, body puzzles,
and forms that shape the body and space with odd timings and unusual
perspectives to create dances that are dynamic and alive in the
moment. We will learn more about the interior of the body and and our
ideas and find pathways to external space, time and place. discovering
new challenges and risks in our movement vocabulary.

Afternoon Class „Improvisation – Performance as Exposure“: The
training of Contact Improvisation is a physical practice that includes
increasing range of motion, awakening awareness and clarifying
intention. We learn through kinetic feedback with another as well as
through exploring different patterns of movement and how all of our
senses lead us into dancing. Touch is not enough. Preparing to perform
requires more than awareness, it asks us to be seen and to see. In
this workshop, we will focus on meeting truthfully and directly the
unexpected. Contact Improvisation will be our entrance into the
physicality of our images and applications of BMC will fine tune us to
the mechanics of our instruments - our bodies. Weight, mass and breath
become movement, become landscape, become story, become question,
become idea. We will play with heightening our senses and perceptions,
amplifying our awareness to expose more of our interior, making the
invisible visible to play with time and space. Witnessing, reading,
writing and the voice will be used to further engage and enliven our
imaginations and for discovering new challenges and risks. How do we
ready ourselves for performing and who is the being in the body?

The workshop will culminate (if desired) in 2 evenings of performance.

Participation: 5 days 200 Euro
Registrations: Tel. +49-(0)30-47 36 35 00, Email: info@...
Place: Schwelle 7, Uferstraße 6, HH 1. OG (near Uferstudios), 13357
Berlin-Wedding, Germany
Info: http://www.schwelle7.de/KJHOLMES.html

Si consideras que este mail puede ser de utilidad para algún conocido te agradecemos le hagas llegar la información.
Si no querés recibir más estos mails, solo responde 'remover' en el asunto y te pedimos disculpas por las molestias.

Si consideras que este mail puede ser de utilidad para algún conocido te agradecemos le hagas llegar la información.
Si no querés recibir más estos mails, solo responde 'remover' en el asunto y te pedimos disculpas por las molestias.

K.J. HOLMES
Workshop in (Contact) Improvisation, BMC & Performance
Schwelle 7, Berlin
Tuesday, June 30 – Saturday, July 4, 2009 – daily 11 am - 16 pm


Morning Class:  The Athletics of Intimacy

The morning classes will combine skills and applications of Body-Mind
Centering (r), with skills and practices of Contact Improvisation to
fine tune and engage the imagination of the dancer in solo, duet and
ensemble play.   The classes will explore musicality and phrasing, the
learning of specific lifts and rolls as well as how we craft time and
space becoming more tuned to center and subtleties of touch, direction
and intention.  Skills will include release techniques and
experiential anatomy to better understand the mechanics of the body,
and developmental patternings, body puzzles, and forms that shape the
body and space with odd timings and unusual perspectives to create
dances that are dynamic and alive in the moment.  We will learn more
about the interior of the body and and our ideas and find pathways to
external space, time and place. discovering new challenges and risks
in our movement vocabulary.

Body-Mind Centering (BMC tm) is an eclectic and dynamic approach to
somatic training and re-education developed by Bonnie Bainbridge Cohen.
Contact Improvisation is a duet dance form initiated by dancer Steve
Paxton in 1972 that investigates balance, trust, momentum, gravity,
stillness  and perceptual play.



Afternoon Class:   Improvisation: Performance as Exposure

The training of Contact Improvisation is a physical practice that
includes increasing range of motion, awakening awareness and
clarifying intention.
We learn through kinetic feedback with another as well as through
exploring different patterns of movement and how all of our senses
lead us into dancing. Touch is not enough.
Preparing to perform requires more than awareness, it asks us to be
seen and to see.  In this workshop, we will focus on meeting
truthfully and directly the unexpected.
Contact Improvisation will be our entrance into the physicality of our
images and applications of Body Mind Centering (r) will fine tune us
to the mechanics of our instruments - our bodies.
Weight, mass and breath become movement, become landscape, become
story, become question, become idea.  We will play with heightening
our senses and perceptions, amplifying our awareness to expose more of
our interior, making the invisible visible to play with time and space.
Witnessing, reading, writing and the voice will be used to further
engage and enliven our imaginations and for discovering new challenges
and risks.
How do we ready ourselves for performing and who is the being in the
body?


The workshop will culminate (if desired) in 2 evenings of performance.


About K.J. HOLMES
K.J. Holmes is an independent dance artist, singer and actor who has
been exploring improvisation as process and performance since 1981.
She teaches, choreographs and performs at festivals, universities and
venues throughout the world, as a soloist and in her collaborations
with artists such as Simone Forti, Image Lab (Lisa Nelson, Karen
Nelson and Scott Smith) and in the work of Steve Paxton.  Her
influences include Contact Improvisation, Body-Mind Centering (r),
Yoga (certified teacher 2007), Authentic movement, Ideokinesis,
Alexander and Feldenkrais techniques, Martial Dance, world vocal
studies and contemporary dance and theater.  A 1999 graduate of the
School for Body-Mind Centering, K.J. is adjunct faculty at New York
University Experimental Theater Wing, is an ongoing teacher Movement
Research NYC and has a private practice in Dynamic Alignment and Re-
integration in Brooklyn, N.Y. where she lives.  She just completed a
two year acting training in the Sanford Meisner acting technique at
the William Esper Studio in New York City and is developing an evening
length piece entitled This is where we are (or take arms against a sea
of troubles) which looks at where the body and language meet.


Participation: 5 days 200 Euro
Sleeping: We can host up workshop participants in our special sleeping
cocoons. The cost is 10 EUR a night per person.

Registrations per email: info@...
Place: Schwelle 7, Uferstraße 6, HH 1. OG (near Uferstudios), 13357
Berlin, Germany
Website: http://www.schwelle7.de/Workshops.html

Luscious and ballistic – KEY AND TRIGGER
Workshop about performance, improvisation, composition, discourse,
audience and physical techniques

Workshop with Kathleen Hermesdorf/Physical & Albert Mathias/Audio
(MOTIONLAB/San Francisco)

DATE: Monday June 1th TO Friday June 5th, 2009
Termin: Mo-Fr, 1.-5.06.2009

TIME: every day 12:00 am - 5:00 pm
Zeit: täglich 12-17 Uhr

More: http://www.schwelle7.de/Kathleen.html

DESCRIPTION:

LUSCIOUS - a key to access the undulating systems, sinews, curiosity,
intelligence and instincts of the body and mind, to activate the
voluptuous diva/animal deep inside and to articulate the sticky
relationship to gravity.

BALLISTIC - a trigger to break through and shake things up; a trigger
to activate speed, energy, spectacle, big movement, bold ideas and
loud voices.

Practice
A movement intensive, driven by perpetual, visceral live music,
investigating technique and improvisation, solo and partner(s) &
practice, process and performance. Training in breath and energy
modalities, hands on instigation, somatic improvisation and motion
techniques, including methods of falling, inversion and flight,
contextualized in three-dimensional phrases.

Process & Performance
Solo, duet and group work incorporates the training and utilizes
improvised scores and set and created materials in the process. Each
day ends with performance and feedback to recognize and cultivate the
dialogues of key (source) and trigger (target), luscious (internal
experience) and ballistic (external expression).


La Alternativa – Kathleen Hermesdorf & Albert Mathias

La ALTERNATIVA (formerly MOTIONLAB), directed by dancer Kathleen
Hermesdorf and musician Albert Mathias since 1998, is a vessel/vehicle
for training, performance, creation and production. The mission to
create and instigate work of deeply integrated sound and motion
entwines with a commitment to collaborating among mediums and
connecting with artists - locally, nationally and internationally - to
bridge art forms and communities. The company has received substantial
support in San Francisco and recently finished a 5-year Artist
Residency at ODC Theater.

La ALTERNATIVA has toured the US, Europe and Mexico and is a co-
founder of the Alternative Conservatory. Hermesdorf and Mathias both
hail from Chicago, Illinois and have been making work in the West
since 1991 - meeting in 1994 in the multi-disciplinary performance
group, Contraband, led by Sara Shelton Mann. They have been on the
faculty of ODC School since 1996. More at www.la-alternativa.us


LOCATION/Ort: Schwelle 7, Berlin, Germany
REGISTRATION: info (at) felixruckert.de
PRICE: 200 EUR

SLEEPING:
We can host up workshop participants in our special sleeping cocoons.
The cost is 10 € a night per person.


--------- Performance June 3th / 3. Juni --------------

STRANGE ATTRACTORS - Performance by La Alternativa

Geometrically, an attractor can be a point, a curve, a manifold, or
even a complicated set with a fractal structure known as a strange
attractor.

La Alternativa will perform „STRANGE ATTRACTORS“ at Schwelle 7 on
Wednesday June 3th at 8:30 pm / 3.6.2009 um 20:30

With:
Kathleen Hermesdorf/Physical & Albert Mathias/Audio (MOTIONLAB/San
Francisco), Laurent Lavolé /Audio & Yoann Tréllu/Video (Berlin)

More at http://www.schwelle7.de/Kathleen.html
More at http://www.la-alternativa.us

ADMISSION / Eintritt: 13 € (red. 9 €)


----------- LOCATION / Ort --------

Schwelle 7
Uferstraße 6 HH 1. OG
13357 Berlin/Germany
Phone: +49 (0) 30-4736 3500
http://www.schwelle7.de
Email: info (at) felixruckert.de

TRAFFIC LINK / Verkehrsverbindung: UB Nauener Platz, Pankstr, Osloer
Str, SB Gesundbrunnen

Let me invite you all from the different countries to PRAGUE, Czech Republic for
a WEEKEND JAM SESSION OF CONTACT IMPROVISATION. The jam starts on Friday, JUNE
12, 2009, at 7:00 p.m. and goes on till the afternoon on Sunday, JUNE 14, 2009.

Druna - the highland for dance and meditation - gives a great view of the
Prague roofs, and it is where the jam session is taking place.


I hope this message will reach you in time for you to do all the planning, buy
your train, bus or airplane tickets, and to arrive to PRAGUE for the weekend. It
is easy to get here. The dance hall is in the center of Prague, very close to
all the means of transport. You are welcome to stay longer than the weekend. You
can sleep at Druna, but if you preferred to stay elsewhere, please let me know,
and together we can find a suitable accommodation for you.


The fee for the jam session and sleeping at Druna is EUR 71.00.

Please, let all your contact improvisation friends know about the jam session
spread to all your contact improvisation friends.

We are expecting you and looking forwards to you all.

Zi

ALL THE DETAILS CAN BE FOUND IN THE ATTACHMENT or at www.druna.cz/en
http://www.druna.cz/prague-international-jam-of-contact-improvisation


Zita
ziita@...
http://www.druna.cz
+420 723 253 757

Clases de danza contemporánea

Conciencia corporal-experimentación-técnica

Prof. Lucia Perez

Martes 13.00hs

Viernes 19.00hs

En av. Boedo 842 nº9

17/03 clase abierta!

Preguntas y confirmacion al 4982-5050 o por mail..